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Vivienne
Vivienne Westwood is not just a designer but
turning rebellion and anarchy into art
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freedom
avant-garde
a woman who revolutionized the fashion world
art
Vivienne
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freedom
avant-garde
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Vivienne Westwood is not just a designer but
turning rebellion
and anarchy into art
a woman who revolutionized the fashion world
art
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Vivienne Swire was born in 1941 in the small British village of Tintwistle
At the age of 17, she moved to London and enrolled in the Harrow School of Art, where she studied fashion design and jewelry making
In her free time, she sold jewelry at the Portobello Road flea market
The Beginning of Rebellion
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«I didn’t understand how
a working-class girl
living in иу. арнс ства»
the art world
like me could make a
Vivienne dropped out after her first semester.
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The Beginning of Rebellion
«I didn’t understand how
class girl
a working-
like me could make a
living in vhп поybfbf fhy fbgtf gy »
living in vhп поybfbf fhy fbgtf gy »
world
the art
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Vivienne Swire was born in 1941 in the small British village of Tintwistle
At the age of 17, she moved to London and enrolled in the Harrow School of Art, where she studied fashion design and jewelry making
In her free time, she sold jewelry at the Portobello Road flea market
Vivienne dropped out after her first semester.
In 1962, Vivienne married
a future pilot,
Derek Westwood
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and took his last name
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In 1962, Vivienne married
a future pilot,
Derek Westwood
and took his last name
freedom
However, the marriage didn’t last long. her desire for аггаагттаа proved stronger
However, the marriage didn’t last long. her desire for аггаагттаа proved stronger
freedom
initially selling records and reworked 1950s outfits bought from the Brixton market
The Birth of Revolution
In 1965, Westwood, who was working as a teacher at the time,
met Malcolm McLaren, the future manager of punk rock bands
Westwood and McLaren opened a store at 430 King’s Road,
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The store’s name and interior changed with each collection, featuring names such as Let it Rock, Too Fast to Live, Too Young to Die, and Seditionaries
Their relationship and joint projects became the foundation of the punk movement in the 1970s
These relationships were
Yet they marked the beginning of Vivienne’s own story in the world of fashion and activism
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toxic and abusive
initially selling records and reworked 1950s outfits bought from the Brixton market
In 1965, Westwood, who was working as a teacher at the time,
met Malcolm McLaren, the future manager of punk rock bands
Westwood and McLaren opened a store at 430 King’s Road,
The store’s name and interior changed with each collection, featuring names such as Let it Rock, Too Fast to Live, Too Young to Die, and Seditionaries
Their relationship and joint projects became the foundation of the punk movement in the 1970s
The Birth of Revolution
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These relationships were
toxic and abusive
Yet they marked the beginning of Vivienne’s own story in the world of fashion and activism
Together with McLaren, they were responsible for the musicians’ image:
click on the player
tearing T-shirts, burning holes in them with cigarettes, and decorating clothes with safety pins and beer bottle caps
One of the most provocative items in the Sex Pistols’ wardrobe was
The Destroy T-shirt, featuring a swastika and the line
“I am an Antichrist” from the song “Anarchy in the UK"
When McLaren formed the band, Westwood offered to write lyrics
Back to the
King's Road store
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It was there that they met the future members of the Sex Pistols, a band that would become the symbol of the punk movement
The store became the epicenter of punk culture
Together with McLaren, they were responsible for the musicians’ image:
click on the player
tearing T-shirts, burning holes in them with cigarettes, and decorating clothes with safety pins and beer bottle caps
One of the most provocative items in the Sex Pistols’ wardrobe was
The Destroy T-shirt, featuring a swastika and the line “I am an Antichrist” from the song “Anarchy in the UK"
When McLaren formed the band, Westwood offered to write lyrics
Back to the
King's Road store
The store became the epicenter of punk culture
It was there that they met the future members of the Sex Pistols, a band that would become the symbol of the punk movement
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The provocative T-shirts and the store’s design sparked scandals, including legal charges under the Obscene Publications Act
However, this only motivated Vivienne to release even bolder creations
First and foremost, punk for us was associated with
We despised the оагааоараааааашагоаар р which didn’t even
contempt
older generation,
try to change anything
We despised the оагааоараааааашhfy fnyf hfyk gfр р which didn’t even
contempt
generation,
try to change anything
older
The provocative T-shirts and the store’s design sparked scandals, including legal charges under the Obscene Publications Act
However, this only motivated Vivienne to release even bolder creations
older generation,
First and foremost, punk for us was associated with
to Haute Couture
In 1981, Westwood registered the trademark Vivienne Westwood
In collaboration with McLaren, she presented her first clothing collection
The designer introduced romantic looks to the industry
which burst onto the London scene and secured the collection’s place in history
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From Punk
From Punk to
Haute Couture
In 1981, Westwood registered the trademark Vivienne Westwood
In collaboration with McLaren, she presented her first clothing collection
The designer introduced romantic looks to the industry
which burst onto the London scene and secured the collection’s place in history
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Shifting away from the flowing styles of the ’60s and ‘70s, she moved toward more fitted silhouettes
This collection became
in fy hdywbhfy fh career, marking the moment
she first felt like a
It was during this time that she created her most iconic piece, the Mini-Crini —a short version of the conservative crinoline dress inspired by the 17th century
Completely at odds with the broad-shouldered suits and masculine aesthetics of the ‘80s, Westwood’s dresses emphasized the female figure, framing the body with a voluminous yet short bell-shaped skirt
a turning point
"real designer"
Vivienne’s,
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This collection became
in fy hdywbhfy fhcareer, marking the moment she first felt like a
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c
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r
a turning point
"real designer"
Shifting away from the flowing styles of the ’60s and ‘70s, she moved toward more fitted silhouettes
It was during this time that she created her most iconic piece, the Mini-Crini — a short version of the conservative crinoline dress inspired by the 17th century
Completely at odds with the broad-shouldered suits and masculine aesthetics of the ‘80s, Westwood’s dresses emphasized the female figure, framing the body with a voluminous yet short bell-shaped skirt
Vivienne’s,
She couldn’t have been
а анал арнHer hair was tied in a
пуч, she wore a арнга нанран анранн анраннна н over her shoulders, and in her hands, she carried
а анал арнHer hair was tied in a
пуч, she wore a арнга нанран анранн анраннна н over her shoulders, and in her hands, she carried
than 14.
tweed jacket
ballet flats
bun,
more
Harris
a bag with
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The entire idea for this collection was stolen from a ранвиванариаавв I once saw on the subway
little girl,
Vivienne Westwood’s Harris Tweed collection played a key role in reviving tweed as a fashionable material
Westwood purchased a small batch of fabric from Harris Tweed and handcrafted almost everything herself. While other fashion designers produced clothing in automated factories, her small collections were cut and assembled on home sewing machines
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Vivienne Westwood’s Harris Tweed collection played a key role in reviving tweed as a fashionable material
Westwood purchased a small batch of fabric from Harris Tweed and handcrafted almost everything herself. While other fashion designers produced clothing in automated factories, her small collections were cut and assembled on home sewing machines
The entire idea for this collection was stolen from a ранвиванаривт уI once saw on the subway
little girl,
She couldn’t have been
а анал арнHer hair was tied in a
пуч, she wore a арнга нанран анранн анраннна нан ану over her shoulders, and in her hands, she carried
а анал арнHer hair was tied in a
пуч, she wore a арнга нанран анранн анраннна нан ану over her shoulders, and in her hands, she carried
than 14.
bun,
Harris
ballet flats
more
tweed jacket
a bag with
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Vivienne Westwood was the first to bring the corset back to the runway nearly a century after it had fallen out of fashion
On Westwood’s runways, both men and women wore corsets
The return was particularly striking in the Fall-Winter 1990 collection, where the homage to classical art and motifs from François Boucher’s painting "Daphnis and Chloe" captivated the audience
Create runway looks
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Vivienne Westwood was the first to bring the corset back to the runway nearly a century after it had fallen out of fashion
On Westwood’s runways, both men and women wore corsets
The return was particularly striking in the Fall-Winter 1990 collection, where the homage to classical art and motifs from François Boucher’s painting "Daphnis and Chloe" captivated the audience
Код для анимации DRAG:
— a cosmic orbit
The Vivienne Westwood logo also originates
from Harris Tweed
Vivienne added a unique element to the logo
The Vivienne Westwood logo also originates
from Harris Tweed
Vivienne added a unique element to the logo
— a cosmic orbit
— космическую орбиту,
Iconic Looks
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The Tatler magazine cover featuring Vivienne Westwood dressed as Margaret Thatcher is one of the boldest and most daring provocations in fashion history
In 1989, the designer appeared on the cover wearing a suit originally ordered for Thatcher from the fashion house Aquascutum, which Westwood had “intercepted.” With a mischievous smirk, she parodied the Iron Lady, sparking debates about power, politics, and fashion
Westwood caused another media frenzy in 1992 when she attended the ceremony for receiving the Order
of the British Empire without wearing any underwear
Iconic Looks
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The Tatler magazine cover featuring Vivienne Westwood dressed as Margaret Thatcher is one of the boldest and most daring provocations in fashion history
she parodied the Iron Lady, sparking debates about power, politics, and fashion
Westwood caused another media frenzy in 1992 when she attended the ceremony for receiving the Order of the British Empire without wearing any underwear
In 1993, Kate Moss walked the runway
— this show became самых смелых взсрсн снрснснср о в to the fashion industry
topless in a mini-skirt,
holding an ice cream in her hand
challenges
one of the boldest
In 1993, Kate Moss walked the runway
— this show became самых смелых взсрсн снпорп нпрпрснсныр чto the fashion industry
topless in a mini-skirt,
holding an ice cream in her hand
challenges
one of the boldest
The fall of Naomi Campbell during a Vivienne Westwood show in 1993 became an iconic moment in the fashion world
Naomi was strutting down the runway in Westwood’s legendary 25-centimeter platform heels. But after a few steps, the shoes took over, and Campbell gracefully fell to her knees, turning the mishap into a legendary part of fashion history
The fall of Naomi Campbell during a Vivienne Westwood show in 1993 became an iconic moment in the fashion world
Naomi was strutting down the runway in Westwood’s legendary 25-centimeter platform heels. But after a few steps, the shoes took over, and Campbell gracefully fell to her knees, turning the mishap into a legendary part of fashion history
She became the first fashion designer to receive the Moet & Chandon Fashion Tribute award
Westwood also accepted the title of Officer of the Order of the British Empire from Queen Elizabeth II for her contributions to British fashion
later being elevated to the even higher rank of Dame Commander (the equivalent of knighthood)
The designer received nearly every significant accolade in the fashion industry
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Westwood was named Designer of the Year three times and was honored with the Outstanding Achievement Award by The Fashion Awards
later being elevated to the even higher rank of Dame Commander (the equivalent of knighthood)
She became the first fashion designer to receive the Moet & Chandon Fashion Tribute award
Westwood also accepted the title of Officer of the Order of the British Empire from Queen Elizabeth II for her contributions to British fashion
Westwood was named Designer of the Year three times and was honored with the Outstanding Achievement Award by The Fashion Awards
The designer received nearly every significant accolade in the fashion industry
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Activism and Social Projects
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Vivienne Westwood always used fashion to express her political views
In 2005, she released T-shirts with the slogan “I’m not a Terrorist, Don’t Arrest Me” as a protest against immigration policies
Her Climate Revolution show became the pinnacle of her environmental activism. She used the runway to draw attention to issues of conscious consumption, supporting environmental movements
Her activism continued until her final years, including campaigns against Arctic oil drilling and efforts to defend Julian Assange
Activism and Social Projects
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Vivienne Westwood always used fashion to express her political views
In 2005, she released T-shirts with the slogan “I’m not a Terrorist, Don’t Arrest Me” as a protest against immigration policies
Her Climate Revolution show became the pinnacle of her environmental activism.
One of Vivienne Westwood’s most daring stunts was arriving at Prime Minister David Cameron’s house in 2015 on a tank
This was her way of protesting against fracking, which she considered a threat to the environment and the health of future generations
FRACKING IS A CRIME
austerity
is a
crime
is a
crime
CLIMATE
REVOLUTION
REVOLUTION
One of Vivienne Westwood’s most daring stunts was arriving at Prime Minister David Cameron’s house in 2015 on a tank
This was her way of protesting against fracking, which she considered a threat to the environment and the health of future generations
FRACKING IS A CRIME
austerity
is a
crime
is a
crime
CLIMATE
REVOLUTION
REVOLUTION
This is a non-commercial project, created for educational purposes under the mentorship of Anna Khodarkovskaya
All materials are sourced from open sources and are the property of their respective owners
The author is
Viryasova
angelika
This is a non-commercial project, created for educational purposes under the mentorship of Anna Khodarkovskaya
All materials are sourced from open sources and are the property of their respective owners
The author is
Viryasova
angelika
https://www.marieclaire.ru/moda/viven-vestvud-punk-v-mode/?ysclid=m2mcv04rdl79000515
https://mcmag.ru/viven-vestvud-biografiya/?ysclid=m2whon8r25313410644
https://www.maramarietta.com/the-arts/fashion/vivienne-westwood/
https://media.2x2tv.ru/vivienne-westwood/?ysclid=m2ar4p0kfl245358254
https://skillbox.ru/media/design/on-westwood/?ysclid=m2arq4g1an314348693
